musical aphasia

The similarities of music to language are very striking.  While I fancy myself fluent in the latter (English, that is), I’m still very much a novice in the former.

So I sing in a choir, but that does not make me a musician.  In the past 5 years, I have managed to pick up by osmosis a lot of music theory and reading, much like a first generation emigrant would in a foreign land.  But I still lack a lot in the “diction” and “vocabulary” departments, if you will.

For instance, I still don’t know my notes, which is, I am aware, an embarrassing confession.  You ask me where a G# is on the treble clef and I’ll scratch my head and mumble, “It is… how you say?… ‘La’!”  But I do know:

1. time signatures
2. note time values
3. dynamics
4. even basic interval progression

Back to the language analogy, these are akin to:

1. how fast we’re talking
2. the cadence of our speech
3. how loudly and quietly we’re talking (crowded bar versus a movie theater)
4. the syllables in our words

At this point in my infant music career, it’s not unlike having a certain aphasia.  I’m like someone who’s woken from a coma, or perhaps a victim of brain aneurism, rehabilitating his linguistic capacity.  Until recovery happens upon me, I’ll continue to read my music with a level of headlighted-dear syndrome.  For those of you fluent in music, you can simulate my condition by staring at John Stump’s works ¹, but mind you not too hard.  It might cause an aneurism!

1. Oh thank goodness for Google Image Search!  Otherwise, I never would have found such a treasure trove as one John Stump, parody composer extraordinaire

Related posts:

Parody Circuits Brahms & anger management The Innocence Mission